In the introductory statement to his book of male nude photographs, Being Seen, my generous and brilliantly gifted friend Andrew Graham writes,
"What about our deeper selves--our naked selves--that which makes us weep with abandon, laugh out loud, or that which gives us reason to rise each morning? What are our passions? What is it that makes us vulnerable? Can we share these parts of us?
"Obviously for most to be literally naked before the lens is to be very vulnerable. I believe there is a truth inherent and unavoidable when we shed our clothes. It is my goal to capture and share that truth."
Andrew's lens lovingly captures the beauty of the men he photographs, both those who would turn heads on Fire Island, and those who probably wouldn't. Not "seeing past" the physical, but seeing into the physical, seeing "the soul beneath the skin" (to borrow the title of David Nimmons' book about gay men forging more loving, connected communities).
Whenever I visit Andrew, it's a joy to look at his recent work. When I saw him this last week, I didn't expect him to ask me to model for him--a request he made with his characteristic concern for the comfort and agency of those he's with.
My body shame operates oddly. I enjoy walking around a locker room nude--until I look in the mirror and go, "Oh, fuck." In the depths of Covid's first waves, I took to joking that I was down to one angle I was happy seeing myself naked, and that my goal was to make it back to two by the end of a summer of daily visits to the Y.
I asked Andrew to forgo sharing the work with me during the shoot, as he prefers to do with his models. I knew that self-consciousness would take over as soon as I saw the images. When we finished, nearly 300 exposures later, my predicted distress set in. I talk the talk of all of us having the right to take joy in our bodies, to love them as they are, to inhabit them as subjects rather than evaluate them as objects of scrutiny. And then that all goes out the window when I see that three months of fixed weights have done nothing, nothing at all, to reverse the sag in my 66-year-old chest or the extra pounds around my middle.
I found myself cringing as much at the hypocrisy of my discomfort as at the soft contours of my belly. And yet could go on feeling good about the experience of the shoot, because of Andrew--because of the respect and affection of his gaze, because of the alchemy that comes from being witnessed rather than just looked at. My vulnerability held within the safe container of his regard. Encouraged by him to see myself through soft eyes. My being, seen.
Later that day, he showed me what had become of a few of the images he'd begun to edit. And I was astonished. Being seen, being truly seen, can be more than a safe experience. It can be a healing.