"The majesty of the Incarnation lies in its solidarity with the marginalized."
--Rev. Munther Isaac, pastor of the Lutheran Church of Bethlehem
Welcome to a space for the spirituality of gay and bisexual men. We have within ourselves the resources for our healing, liberation, and growth. Connecting with each other, we encounter the grace to lay hold of a richer, juicier life. Losing ourselves in deep play, we rediscover the bigger, freer, more joyous selves we're capable of becoming. Here I share my interest in personal and communal ritual, making art that expresses my inner life, and an intentional practice of erotic spirituality.
--Rev. Munther Isaac, pastor of the Lutheran Church of Bethlehem
"The public is being ignored by most of contemporary artists.
"The public needs art and it is the responsibility of a "self-proclaimed artist" to realize the public needs art and not to make bourgeois art for the few and ignore the masses.
"Art is for everybody. To think that they (the public) do not appreciate art because they don't understand and therefore become alienated from [sic] may mean that the artist is the one who doesn't understand or appreciate art and is thriving in the "self-proclaimed knowledge of art" that is actually bullshit.
"Art can be a positive influence towards a society of individuals.
"Art can be a destructive element and an aid to the take-over of the "mass-identity" society.
"Art must be considered by the artists as well as the public.
"The public will not, however, say what they want for fear of being un-educated or not understanding art. Therefore the responsibility rests..."
Keith Haring, journal page, October 1978
He was a geeky kid from small-town Pennsylviania who spent his early teen years in the Jesus Movement. At the age of twenty, he moved to New York to study art.
He was cerebral, radically embodied, and hypersexual, all at the same time. He was, quite literally, a fucking saint.
He died of AIDS in 1990 at the age of 31. His last work was an altarpiece, two versions of which are now in Grace Cathedral, San Francisco, and the Cathedral of St. John the Divine in New York.
Right now, his work is on show at the Art Gallery of Ontario in Toronto. I was lucky enough to be there when multiple school groups were coming through, in waves of excitement rolling off the kids from an alternative arts-based high school, and occasional shrieks of amazement at the unabashedly sexual imagery scattered through the exhibition. (Like they'd never seen such things on restroom walls and the back covers of textbooks--but, I'm figuring, never expected to see in a Temple of Culture.) The noisiest and most joyful gallery visit I'll ever experience.
Last week, I was blessed by a moment of unforeseeably deep connection. A few hours of blissful erotic communion, beyond anything I could reasonably expect: an opening of two discreet selves into a Third revealed between us. Without any certainty that anything like it can or will happen again. The man I shared it with lives an ocean away. When we met for coffee a few days later, just before he finished his short professional trip, we acknowledged that we may never see each other face to face again. What happened was for me (and I believe for him as well) too profound not to speak of this honestly.
It's bittersweet, holding onto the faith that experiences like the one he and I shared are just as valid, just as real, in light of their passing away. A reminder that all of life is in fact like that, and our attempts to slow or halt the flow of time are what's illusory. Longing is the foundational condition of our life. Memory is the great storehouse of the psyche where those treasures are still held. The place where sadness and joy come together to reveal a core truth of our existence.
Anne Carson would tell us this. The Buddha would tell us this. St. Augustine would tell us this. But most importantly, our own experience can tell us this.